<\/p>\n
Speaker:<\/strong> Kristina M. Olson, <\/a>George Mason University (USA)<\/p>\n Title of the talk:<\/strong>\u00a0From Text to History (to Text): The Women of Dante\u2019s “Commedia” <\/em>(slides<\/a>) Abstract:<\/strong> By casting \u201chistorical\u201d women, both real and fictive individuals with their own literary pedigrees, as characters in his poem, Dante conveys that women and the female gender serve an essential function within his elaborate vision of politics and language itself. Yet, for an epic love poem written in honor of a woman who appears within it as guide, philosopher\/theologian, and Christ-like figure, the critical reception of the Commedia <\/em>has only sporadically examined Dante\u2019s innovative approach in this regard. Just over the past three decades has the representation of women and the feminine received sustained attention from scholars. Instructors of Dante could benefit from reflecting upon this critical history as a way to approach the idea of how women and the female gender are represented in the poem in innovative ways.<\/p>\n Suggested readings:<\/strong><\/p>\n Barolini, Teodolinda. \u201cNotes Toward a Gendered History of Italian Literature, with a Discussion of Dante’s Beatrix Loquax.\u201d In Dante and the Origins of Italian Literary Culture <\/em>New York: Fordham University Press, 2006. 360-78.<\/p>\n \u2014\u2014. \u201cDante Alighieri.\u201d In Women and Gender in Medieval Europe: An Encyclopedia<\/em>, edited by Margaret Schaus. New York: Routledge, 2006. 190-92.<\/p>\n \u2014\u2014. \u201cDante and Francesca da Rimini: Realpolitik, Romance, Gender.\u201d Speculum<\/em> 75 (2000): 1-28.<\/p>\n Ferrante, Joan. Dante\u2019s Beatrice: Priest of an Androgynous God<\/em>. CEMERS Occasional Papers, 2. Binghamton, NY: State University of New York Press, 1992.<\/p>\n \u2014\u2014. Woman as Image in Medieval Literature from the Twelfth Century to Dante<\/em>. New<\/p>\n York: Columbia University Press, 1975.<\/p>\n Harrison, Robert Pogue. The Body of Beatrice<\/em>. Baltimore: The Johns Hopkins University Press, 1988.<\/p>\n Jacoff, Rachel. \u201cTransgression and Transcendence: Figures of Female Desire in Dante\u2019s<\/p>\n Commedia<\/em>.\u201d Romanic Review<\/em> 79 (1988): 129-42.<\/p>\n Kirkham, Victoria. \u201cA Canon of Women in Dante\u2019s Commedia<\/em>.\u201d Annali d\u2019Italianistica<\/em> 7 (1989): 16-41.<\/p>\n Olson, Kristina. \u201cConceptions of Women and Gender in the Comedy<\/em>.\u201d In Approaches to Teaching Dante’s <\/em>Divine Comedy, eds. Christopher Kleinhenz and Kristina Olson. New York, NY: Modern Language Association, 2020, pp.110-119.<\/p>\n \u2014\u2014. \u201cThe Language of Women as Written by Men: Dante, Boccaccio, and Gendered Histories of the Vernacular.\u201d Heliotropia<\/em> 8-9 (2011-12).<\/p>\n Psaki, F. Regina. \u201cThe Sexual Body in Dante\u2019s Celestial Paradise.\u201d In Imagining Heaven in the Middle Ages<\/em>, edited by Jan. S Emerson and Hugh Feiss. New York: Garland, 2000. 47-61.<\/p>\n Shapiro, Marianne. Woman Earthly and Divine in the <\/em>Comedy of Dante<\/em>. Lexington: The University of Kentucky Press, 1975.<\/p>\n Williams, Charles. The Figure of Beatrice: A Study in Dante<\/em>. New York: The Noonday Press, 1961.<\/p>\n Bio:<\/strong> Kristina Olson (PhD, Columbia University, 2006) is an Associate Professor of Italian in the Department of Modern and Classical Languages at George Mason University, where she has taught Italian language, literature, and cinema since 2005. She is the author of Courtesy Lost: Dante, Boccaccio and the Literature of History <\/em>(University of Toronto Press, 2014) and several articles on Dante, Boccaccio and Petrarch. Her research explores the intersection of history and literature. She is the co-editor of three volumes: Open City: Seven Writers in Postwar Rome <\/em>(Steerforth Press, 1997); Boccaccio 1313-2013 <\/em>(Longo Editore, 2015); and Approaches to Teaching Dante\u2019s <\/em>Divine Comedy (second edition) with the Modern Language Association (2020). She is currently the Editor in Chief of Dante Studies<\/em>, the journal of the Dante Society of America. She was the President of the American Boccaccio Association (2020-2023), for which she was also Vice President (2017-2020) and Treasurer of the Association (2014-17). She served as the Vice President of the Dante Society of America for two years (2016-18) and served as Councilor for three years (2015-18).<\/p>\n <\/p>\n Speaker:<\/strong> Francesca Tomasi<\/a>, University of Bologna (IT)<\/p>\n Title of the talk:<\/strong> Modelling the Interpretation Act as Linked Open Data <\/em>(slides<\/a>) Abstract:<\/strong> It was 10 years ago when we started reflecting on the formalization of the idea of \u201cinterpretation act\u201d as the assertions made by different scholars when dealing with primary texts and documents. In 2014 we developped HiCO, an OWL 2 DL ontology aiming to outline relevant issues related to the workflow for stating, and formalizing, authoritative assertions about context information. The conceptual model want to outline requirements for defining an authoritative statement and focuses on how a description of context information can be carried out when data are extracted from full-text of documents (1). Suggested readings:<\/strong><\/p>\n (1) M. Daquino and F. Tomasi, Historical Context (HiCo): a conceptual model for describing Bio:<\/strong> Francesca Tomasi is associate professor in Archival Science, Bibliography and Librarianship at the University of Bologna (Italy). Her research is mostly devoted to digital humanities, with a special attention to documentary digital editions and knowledge organization methods in the Semantic Talks by Kristina M. Olson and Francesca Tomasi Speaker: Kristina M. Olson, George Mason University (USA) Title of the talk:\u00a0From Text to History (to Text): The Women of Dante\u2019s “Commedia” (slides) Abstract: By casting \u201chistorical\u201d women, both real and fictive individuals with their own literary pedigrees, as characters in his poem, Dante conveys that […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-288","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.loa.istc.cnr.it\/mite\/index.php\/wp-json\/wp\/v2\/pages\/288","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.loa.istc.cnr.it\/mite\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.loa.istc.cnr.it\/mite\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.loa.istc.cnr.it\/mite\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.loa.istc.cnr.it\/mite\/index.php\/wp-json\/wp\/v2\/comments?post=288"}],"version-history":[{"count":11,"href":"https:\/\/www.loa.istc.cnr.it\/mite\/index.php\/wp-json\/wp\/v2\/pages\/288\/revisions"}],"predecessor-version":[{"id":306,"href":"https:\/\/www.loa.istc.cnr.it\/mite\/index.php\/wp-json\/wp\/v2\/pages\/288\/revisions\/306"}],"wp:attachment":[{"href":"https:\/\/www.loa.istc.cnr.it\/mite\/index.php\/wp-json\/wp\/v2\/media?parent=288"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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\nWe understood in fact that digital artefacts rarely address reusable structured information on the hermeneutical approach adopted by scholars when validating hypotheses. As a consequence, reproducibility and assessment of research results is hampered, and comparing online contradictory information is still a hard task. So we started reflecting on how to leverage Semantic Web technologies in a high-level, portable data model for representing hermeneutical aspects related to cross-disciplinary analysis of cultural sources (2), by proposing an enhancement of descriptive metadata in a Linked Open Data environment (3).
\nIn general, the core issue is, we believe, a (doomed) search for objectivity of cultural heritage objects\u2019 description, often caused by the fact that data models ignore the derivative and stratified nature of cultural objects, and allow only one point of view to be expressed. In turn this forces the publication of bowdlerized records and removes any venue for the expression of disagreement and different opinions. The adoption of contexts makes it possible to support multiplepoints of view inside the same dataset, not only allowing multiple scholars to provide their own possibly contrasting points of view, but also making it possible to incorporate additions, corrections and more complex kinds of commentaries from different final users without compromising the trustworthiness of the whole dataset (4).
\nDefinitely, critical debate as well as uncertain or subjective claims are pivotal elements in scholarly analysis. Asserting such statements in RDF is hindered by the correct representation of uncertain or evolving aspects. We started recently to reflect on the need and usefulness of expressing without
\nasserting (EWA) arbitrary claims as RDF named graphs. We proposed a formal model, called conjectures, to express and retrieve statements whose truth value is not specified (5).<\/p>\n
\ncontext information of cultural heritage objects. \u00abCOMMUNICATIONS IN COMPUTER AND INFORMATION SCIENCE\u00bb, vol. 544, Springer Verlag, Berlin 2015, pp. 424-436
\n(2) M. Daquino, V. Pasqual, F. Tomasi, Knowledge Representation of digital Hermeneutics of archival and literary Sources. \u00abJLIS.it\u00bb 11(3), 2020.
\n(3) V. Pasqual, F. Tomasi, Linked open data per la valorizzazione di collezioni culturali: il dataset mythLOD, \u00abAIB STUDI\u00bb 62, 2022, pp. 149 \u2013 168.
\n(4) G. Barabucci, F. Tomasi, F. Vitali, Modeling data complexity in public history and cultural heritage, in: Handbook of Digital Public History, Oldenbourg, De Gruyter, 2022, pp. 459-474.
\n(5) M. Daquino, V. Pasqual, F. Tomasi, and F. Vitali, Expressing Without Asserting in the Arts, in: Proceedings of the 18th Italian Research Conference on Digital Libraries, IRCDL 2022, CEUR Workshop Proceedings, 3160, 2022.<\/p>\n
\nweb environment.
\nShe is the Director of the PhD in Cultural Heritage in the Digital Ecosystem (CHeDE) and the Head of the Digital Humanities Advanced Research Center (\/DH.arc). She has been also President of the Library of the School of Humanities in the University of Bologna (BDU \u2013 Biblioteca di Discipline
\nUmanistiche), Director of the international second cycle degree in Digital Humanities and Digital Knowledge (DHDK), and President of the Italian Association of Digital Humanities (AIUCD – Associazione per l\u2019Informatica Umanistica e la Cultura Digitale).
\nShe is the scientific director of several digital scholarly projects at \/DH.arc (e.g. Vespasiano da Bisticci, Lettere; Paolo Bufalini, Quaderno; MythLOD; Zeri&LODe; Aldo Moro digital scholarly edition; FICLIT (Semantic) Digital Library).
\nAmong her last publications, the volume: Organizzare la conoscenza: Digital Humanities e Web Semantico, Editrice Bibliografica, 2022. A complete list of books, papers, chapters of volumes, datasets and digital projects at https:\/\/www.unibo.it\/sitoweb\/francesca.tomasi\/publications<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"